Human vices in the literature (on the example of the A.Milne work “Winnie the Pooh”)

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The literature is that magic key that opens the door of cognition of many sphere of human knowledge. It helps us to learn some interesting facts about the history, to know more about people's life in other countries. Sometimes, while reading a book, we can analyse actions of its' characters and it helps us to draw some certain conclusion. That’s why studying foreign literature is not only interesting, but also very useful.

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Introduction……………………………………………………………………...…2
Chapter 1 Aspects on the human vices
1.The notion of human vices…………………………………………………..4
2.Kinds of human vices………………………………………………………..6
Chapter 2 Human vices in the literature (on the example of the A.Milne work “Winnie the Pooh”)
2.1 Some words about A.Milne and his work “Winnie the Pooh”……..…………13
2.2 Vices of “Winnie the Pooh” characters…………………………………….…20
Conclusion………………………………………………………………………...28
Bibliography………………………………………………………………………30
Dictionnaries………………………………………………………………………32

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In addition to chapter II, Tigger also appears in chapters IV, VI, VII, and X of The House at Pooh Corner, and is mentioned in several others. He is the only new major character to be introduced in The House at Pooh Corner; all of the others had been established in the earlier Winnie-the-Pooh book.

That assessment fits well with Tigger's personality and his assessment of his own abilities, which he always overestimates. He is cheerful, outgoing, competitive in a friendly way, and has complete confidence in himself. Some of the things which he claims Tiggers can do include flying, jumping farther than a kangaroo, swimming, and climbing trees.

He never actually attempts any of the first three things in the course of the story, but he does try to climb a tree. He only succeeds half-way, being able to climb up but not to climb down again.

Tigger also says Tiggers "never get lost"; unlike most of his other claims, this one seems to be true - he is able to find his way through the Forest even in a thick mist, despite Rabbit's attempts to lose him.

Like most of the characters in Winnie-the-Pooh, Tigger was based on one of Christopher Robin Milne's stuffed animals, in this case a stuffed tiger. However, the word "tiger" is never actually used in the book.

The term "Tigger" is used instead, both as the character's name and as a description of his type of animal. No other "Tiggers" appear in the story, and at one point Tigger (who has just seen his reflection in a mirror and mistaken it for another individual) comments he thought he was the only one.

Despite that belief, he constantly uses the term in the plural, as in "Tiggers don't like honey." and "So that's what Tiggers like!", etc. The term is always capitalized.

Tigger's personality in the cartoons is much like his personality in the book. He is very confident and has quite an ego, he often thinks of himself as being handsome, and some of his other comments suggest he has a high opinion of himself.

Tigger is always filled with great energy and optimism, and though always well-meaning, he can also be mischievous, and his actions have sometimes led to chaos and trouble for himself and his friends.

Also, he often undertakes tasks with gusto, only to later realize they were not as easy as he had originally imagined. As in the books, Tigger never refers to himself as a tiger, just as a "Tigger". When Tigger introduces himself, he often says the proper way to spell his name is: "T-I-double-guh-err (T,i,gg,er), which spells Tigger." .

Another of Tigger's notable personality traits is his habit of mispronouncing various words, or stressing wrong syllables in them. Examples of this include him pronouncing "villain" as "villy-un"; "ridiculous" as "ridicarus"; "recognize" as "re-coga-nize"; and "suspicious" as "suspicerous".

A declaration often made, is that "Tiggers are wonderful things. Their heads are made of rubber, their tails are made of springs." In cartoon, he is often depicted bouncing around in ways which would make such a statement appear to be valid.

In The New Adventures of Winnie the Pooh, Tigger is often well-meaning but usually does more harm than good. In one episode, he invented a bulldozer-like contraption intended to provide convenience for Pooh, Piglet, and Rabbit, but the invention proved to have disastrous results, and Rabbit insisted that Tigger shut it down.

However, in the winter, a depressed Tigger accidentally started the machine up, and it proved to be useful by plowing snow around Piglet's house before malfunctioning.

On another occasion, Tigger attempted to mimic a superhero, "The Masked Offender," bringing mayhem to the Hundred-Acre Wood. In response, Pooh, Rabbit, Gopher, and Owl (unaware that the Masked Offender was actually Tigger) staged a hoax in which they made an inanimate monster from a sticky glue-like material.

The plan worked, revealing Tigger as the Masked Offender, but the fake monster (which was on wheels) turned on its makers, ultimately resulting in Pooh, Rabbit, Gopher, and Owl hanging by the glue from a rickety bridge. Subsequently, Tigger resumed his role as the Masked Offender, and saved his friends.

Tigger has Pride. After all, the wonderful thing about his unwarranted self importance is that hes the only one. Tigger loves himself. He has a huge ego, he's competitive, and he constantly lies about his abilities in order to inflate his ego even more.

It seems that each day, people become more and more egotistical. We're completely self-centered, selfish beyond reason, and extremely vain. We care too much about what others think of us. We obsess, every second of every day, about the way people view us. Plain and simple, we are a very shallow society.

Eeyore is donkey who is dismally gloomy for almost eternity. But that’s not Eeyore’s perception of himself, according to him; he doesn’t expect too much of himself and therefore remains quiet for most of the time. That in no ways means he isn’t an intelligent animal, he is actually quite knowledgeable yet he confines his knowledge to himself.

This is the reason why he is very quiet most of the time and a bit depressed. Eeyore, a very gloomy, blue-gray donkey, is stuffed with sawdust. His appearance is highlighted by a small light pink bow on his tail; this reflects well on this animal when there is an occasional hint of joy that surfaces in Eeyore.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Conclusion

Human vice is a practice or a behavior or habit considered immoral, depraved, and/or degrading in the associated society. In more minor usage, vice can refer to a fault, a defect, an infirmity, or merely a bad habit. Synonyms for vice include fault, depravity, sin, iniquity, wickedness, and corruption. The modern English term that best captures its original meaning is the word vicious, which means "full of vice". In this sense, the word vice comes from the Latin word vitium, meaning "failing or defect". Vice is the opposite of virtue.

Depending on the country or jurisdiction, vice crimes may or may not be treated as a separate category in the criminal codes. Even in jurisdictions where vice is not explicitly delineated in the legal code, the term vice is often used in law enforcement and judicial systems as an umbrella for crimes involving activities that are considered inherently immoral, regardless of the legality or objective harm involved.

The poet Dante Alighieri listed the following deadly vices.

Pride or vanite — an excessive love of the self (holding the self outside of its proper position regarding God or fellows. In many religions vanity, in its modern sense, is considered a form of self-idolatry, in which one rejects God for the sake of one's own image, and thereby becomes divorced from the graces of God. 2. Avarice (covetousness, greed) — a desire to possess more than one has need or use for (or according to Dante, "excessive love of money and power"). Avarice like lust and gluttony - is a sin of excess. Avarice is inappropriate expectation. However, greed is applied to a very excessive or rapacious desire and pursuit of wealth, status, and power. Lust — excessive sexual desire. Dante's criterion was that "lust detracts from true love". In the Latin lists of the Seven Deadly Sins, lust is referred to as luxuria. Many writers, such as Georges Bataille, Casanova and Prosper Mérimée, have written works wherein scenes at bordellos and other unseemly locales take place. Anger — feelings of hatred, revenge or denial, as well as punitive desires outside of justice (Dante's description was "love of justice perverted to revenge and spite"). Modern psychologists view anger as a primary, natural, and mature emotion experienced by virtually all humans at times, and as something that has functional value for survival. Anger can mobilize psychological resources for corrective action. Gluttony — overindulgence in food, drink or intoxicants, or misplaced desire of food as a pleasure for its sensuality ("excessive love of pleasure" was Dante's rendering).

       Although the “Winnie-the-Pooh” is written for children we can found human vices of its characters. So, we have revealed such human vices as gluttomy, anger, cowardice and pride.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bibliography

    1. Newhauser, Richard, ed. In the Garden of Evil: The Vices and Culture in the Middle Ages. Pontifical Institute of Mediaeval Studies, Toronto 2005.
    2. Aristotle Virtues and Vices, Loeb Classical Library, Harvard University Press, Cambridge, MA, 1992.
    3. Thwaite A.  Milne, Alan Alexander (1882–1956). - Oxford, England: Oxford University Press. – 2008.
    4. Arnold I, Diakonova N. Three Centuries of English Prise. – Leningrad: “Prosveshchenie”, 2008. 
    5. Bakhtin, M. M. “Discourse in the Novel.” In The Dialogic Imagination Four Essays Austin: University of Texas, 2007.
    6. Compton’s Encyclopaedia  Edition Compton’s Encyclopaedia, 2006.
    7. Golitsinsky Yu. “Great Britain”. -  St. Petersbourg: “KARO”, 2008. 
    8. Hecker M., Volosova T., Doroshevich A. English Literature - Moscow “Prosveshchenye”, 2006. 
    9. Kantar Dilek Bridging the gap between literature and linguistics. – Mersin: Mersin University, 2009.
    10. Lessing Doris, The Golden Notebook . – Herts, 1973.
    11. Reid, N. Coleridge, Form and Symbol: Or the Ascertaining Vision Aldershot,  2006.
    12. The Brief Encyclopaedia of English Literature . – M.: Alterexpress, 2008. 
    13. Горобченко И.В. Английский роман конца XX века глазами зарубежной критики // Филологический вестник – 2008.
    14. Исламова А.К. Постмодернизм и английский роман // Вестник С.-Петербургского университета. Сер. 2. История, языкознание, литературоведение. - СПб.: Наука, 2008.
    15. Майкова А.М. Архетипы Карла Юнга и интерпретация художественной литературы. – М.: МГЛУ, 2008.
    16. Михальская Н.П. История английской литературы: учебник для студентов филологических и лингвистических факультетов высших педагогических учебных заведений. - М.: Академия, 2006.

 

 

Dictionnaries

  1. Мюллер В.П. Англо-русский словарь. – М.: Русское слово, 2008.
  2. The Concise Oxford Dictionary of Linguistics / P.H. Matthews. - Oxford University Press, 2007.
  3. The Oxford Dictionary of English Grammar / E. Chalker,  E. Weiner. - Oxford University Press, 2009.

 

 


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