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Our mind used to express our feelings and thoughts towards the world that surrounds us. A special code is the main means in expressing people’s thoughts in the language owing to which the people can understand and communicate to each other. In the context of the language –as –a –system people use different types of means of expression that are known as manners of expression, they are called also stylistic devices or figures of speech.
Introduction ……………………………………………………………………………………..2
CHAPTER I: Hyperbole as a vivid Stylistic Device ……………………………………………4
1.1 Definitions of Stylistics ……………………………………………………………………4
1.2 The notion of Stylistic Devices and its Classification …………………………………….7
1.3 Definition of Style and its Classification …………………………………………………11
1.4 Functional Styles of the English language ………………………………………………..14
1.4.1 The Belles-Lettres Style as a part of Linguistics ……………………………………18
1.5 Hyperbole as a Lexical Stylistic Device and its types……………………………………..20
CHAPTER II: Qualitative and Quantitative Analysis of Hyperboles in J. Swift’s works………25
2.1 Analysis of Hyperbole in “Gulliver’s Travels”…………………………………………...25
2.1.1 Hyperbole classified according to novelty (Y. M. Skrebnev) ………………………...25
2.1.2 Hyperbole classified according to the part of speech………………………………...
2.2 Analysis of Hyperbole in “Battle of the Book”………………………………………….
2.2.1 Hyperboles classified according to novelty (Y. M. Skrebnev) …...............................
2.2.2 Hyperboles classified according to the part of speech ………………………………
2.3 Quantitative Analysis of Hyperboles in J. Swift’s works ………………………………..
Conclusion …………………………………………………………………………………….
Bibliography…………………………………………………………………………………..
Appendix……………………………………………………………………………………...
Glossary of Linguistic Terms …………………………………………………………..
Corpus Linguistics……………………………………………………………………...
By this simple example an author expresses the protagonist’s desire which suggests that he wishes to be in secure; not to feel fear while walking about streets and fields. The constant fear is shown here that is suffered by the main character and the strong desire to get rid of this horrible feeling, because every moment can be last for him because of his small size. Once again the hyperbole creates an image of gigantic people and underlines their monstrous size. This example makes a beneficial and useful addition to the image of the giant people.
Hyperboles expressed by the sentence
Whose feet press down to the center, and whose head strikes against the sun. [49]
Finally there is another brilliant example of hyperbole which provides a colorful description of the gigantic people and one of the most important things is the enormous size that produced indelible impression upon Gulliver. Feet press down to the center…..and head strikes against the sun provides irrefutable evidence relevant to the size. This example might be considered the brightest example that contributes to the development of the projects, concisely it creates vivid and clear image.
The inhabitants looked upon me as the greatest prodigy that ever appeared in the world. [90]
The utterance from the example the greatest prodigy that ever appeared in the world demonstrates the excitement and amazement of the inhabitants. The example is taken from the first part of the book and suggests the fact that Gulliver looked very strange, his size and appearance were absolutely different the inhabitants of the Ireland never saw such enormous creatures before. This example helps the reader to trace a difference between Gulliver and native inhabitants.
I never beheld in all my travels so disagreeable an animal. [205]
There is no doubt, that this example is complex and this idea is proved by the fact that the instance is expressed by the sentence. This very example produces negative emotions and reveals the contempt towards such creatures as Yahoos. This stylistic device illustrates that their appearance is quite sloppy and ugly, manners are horrible. The protagonist experienced a great fright when he met them first time. The hyperbole stands for a characterization of creatures and originates the unpleasant effect upon the reader.
My master said, he could never discover the reason of this unnatural appetite. [236]
Another sufficient example of the hyperbole is expressed in this sentence. Again hyperbole contributes to the image of Yahoos, but this time it shows their appetite which is underlined by the adjective unnatural. The short expression unnatural appetite makes reference these creatures eat too much. Another utterance he could never discover the reason reveals that will remain a mystery, why they it so much?
He sifted me thoroughly upon every part of this head proposing numberless enquiries and objections. [126]
This quite complex example creates a small situation which is taken from the second part of the book. Here is described an important discussion that occurred between Gulliver and his Majesty. Judging by the example, we can easily come to conclusion that main characters discussed completely different themes referred to Europe, especially the law, rights, court and many other themes. The objections of Majesty show that they discussed such things that were unacceptable for him.
2.5 Quantitative Analysis of Hyperboles in Gulliver’s Travels
The corpus linguistics collected for the research consists of 150 examples; the main purpose of this paragraph is to present the quantitative analysis of the distribution of the hyperboles in the novel written by J. Swift “Gulliver’s Travels” and throughout the sample of selected examples. The essence of the quantitative analysis is to study language varieties in term of frequency counts of linguistic items in the novel; therefore the crucial goal of the research in this paragraph will be to calculate the percentages for the spread of hyperboles of various types. While making qualitative analysis we noticed that the given novel possesses different kinds of classification such as: classification according to the novelty criteria, according to the part of speech, according to the structure and the last one the most significant is the role of hyperbole in creating images and expressing feelngs.
According to the novelty criteria the general number of hyperboles have been divided into: trite hyperboles-91- 60,6% and genuine- hyperboles- 59- 39,3%.
Judging by the numbers, it is obvious that trite hyperboles are more numerous than the genuine ones. The reason why trite hyperbole exceeds the genuine is that almost all trite hyperboles occurred in dialogues and discussions; in other words hyperboles were used in everyday life; as it usually happens. This fact suggests the idea that the perception of the trite hyperbole is deeply rooted in people’s minds and explains the reason of their frequent usage. The calculations reveal that hyperbole is a stylistic device that is used in everyday life.
According to the part of speech classification the overall numbers of hyperboles are divided as follows: nominal hyperbole-20, adjectival hyperbole- 78 and adverbial hyperbole-52.
As we can see from the examples the number of adjectival hyperbole, almost always overtop the number of the nominal and adverbial ones. This fact proves once again that hyperbole exaggerates the qualitative features of object or person. Thought, comparing the frequency of appearance of nominal hyperboles, it can easily be seen that they are much less numerous than the other two types. The main reason might be shown by the fact that the nominal and adverbial hyperboles are much easier created and easier perceived by the reader
The biggest number of hyperbole from this classification belongs to adjectival one which represents the most vivid examples throughout the novel and helps the reader to improve the imagination and create a clear picture of the objects.
Viewing examples according to structure criterion, the overall number of the hyperboles is distributed throughout the novel in the following way: one word hyperbole- 47; phrasal hyperbole- 59; sentence hyperbole- 22.
It is clearly seen from the persentages that the quantity of examples that consist of one word illustrates the biggest number of the overall amount of the example. The calculations prove the fact , also this fact can be explained in the following way one word hyperbole is sorter and more comprehensible than the other two types. Meantime, whenever the phrasal hyperbole is employed the images created by the examples are more vivid and sophisticated. However, it should be too complicated for the author to imply too many compound hyperboles, because it will overflow the style of literary work; reader will face different troubles while reading the novel and will tend to fail to understand the parts which are too complicated.
Appendix
Glossary of Linguistic Terms
Alliteration – the repletion of the same sounds- usually initial consonants of words or stressed syllables in any sequence of neighboring words.
Antonomasia-a figure of speech that replaces a proper name with an epithet, official address or other indirect description.
Chiasmus-the placing in inverse order of the segments formed by two syntactically identical groups of words.
Epithet –a word or a phrase that functions as part of someone’s name, such as “Ivan the Terrible” or “Richard the Lion-Heart”, or that describes a noun.
Epigrams- a witty phrase or short poem. In ancient Greece the term referred to an anticipation on a monument. It assumed a literary status when the Roman poet called his short, satirical poems epigrams.
Hyperbole –exaggeration for sake of emphasis in a figure of speech not meant literary. Hyperbolic expressions are common in the inflated style of dramatic speech known as “bombast”.
Irony- a form of expression involving disparity between expectation and reality. Irony is often divided into three categories: verbal, situational and structural.
Metaphor- an important trope in which a word or phrase is used in an unfamiliar context. It creates non-literal meaning by making surprising connection between two ideas.
Onomatopoeia- a figure involving the use of words that echo their meaning in their sound. It also describes words that resemble other sensations.
Polysemy- the presence of multiple meaning. It is more technical term for ambiguity.
Periphrasis-the use of several words instead of a more direct alternative. It can be a form of understatement or can skirt around a delicate subject.
Rhyme- is a basic form of repetition, which offers a wide variety of opinions of lending structure and emphasis to poetic utterances. It is ultimately related to the rhythm, but they have slight differences.
Rhythm- is a general music or beat-like quality found in verse; meter is a systematic arrangement of syllables. To put it another way: when reading a poem, rhythm may make you tap out the beat, meter may make you start counting.
Style- is any specific way of using language, which is characteristic of an author, school, period, or *GENRE. Particular styles may be defined by their *DICTION, *SYNTAX, *IMAGERY, *RHYTHM, and use of *FIGURES, or by any other linguistic feature.
Stylistics- is a branch of modern linguistics devoted to the detailed analysis of literary *STYLE, or of the linguistic choices made by speakers and writers in non-literary contexts.
Corpus Linguistics
Trite Hyperboles
11. She covered me with a clean white handkerchief, but larger and coarser than the mainsail of a man of war [95]
12. These creatures were of the size of a large mastiff, but infinitely more nimble and fierce [96]
13. She apprehended some mischief would happen to me from rude vulgar folks, who might squeeze me to death [98]
Genuine
114. They are despised and hated by all sorts of people [197]
115. divide hundreds of bodies in the middle[130]
116. And as to ideas, entities and abstractions, I could never drive the least conception into their heads [131]
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